Vernon Reid - Guitar

Living Colour began as a trio in 1984. Around the same time, Reid and journalist Greg Tate formed the Black Rock Coalition.
In many ways, Living Colour is the embodiment of the coalition's stated goal: a new freedom of expression for black musicians.
Living Colour has released four albums: the ground breaking 'Vivid', released in 1988, the critically acclaimed follow-up, 'Time's up', in 1990, the 1991 Ep, 'Biscuits', and the latest LP,'Stain', released in 1993.

Living Colour has sold over four million records worldwide, they have won numerous awards including, two Grammy Awards, two MTV Music Video Awards, two International Rock Awards and several New York Music Awards.

Since the formation of Living Colour, Vernon has appeared as a guest guitarist on the records of a many diverse artists: Jack DeJohnette, Public Enemy, B.B. King, The Ramones, Mariah Carey, Mick Jagger, Tracy Chapman, Eye & I, Family Stand, Carlos Santana, and others.

Vernon has also composed music for the Marlies Yearby Dance Co., and choreographer Ralph Lemon.
Recently, Vernon scored the music for the film "Fresh Kill", directed by Shu Lea Cheang, which premiered this year at the Berlin Film Festival. He has composed for the upcoming film by Robert Longo, starring Keanu Reeves, "Johnny Nmemonic".
Vernon has also composed "Here", a piece for Bill T. Jones/Arnie Zane Dance Company which was presented at the Next Wave Festival at BAM in No, 1994.

In January 1995, Vernon disbanded Living Colour in order to pursue several new projects. He has been working with some of the most exciting musicians in New York in a band he calls Masque, which Vernon describes as "the place where rock, jazz, hip-hop and technology meet".
Most recently Vernon has begun working on a multi-media presentation titled, "My Science Project", which debuted at the Knitting Factory in July 1995.

In December 1995, Vernon completed work on his first post-Living Colour record, tentatively titled "Mistaken Identity," which he co-produced with the renowned jazz producer Teo Macero, long associated with Miles Davis among many others, and Prince Paul Houston, one of the premier producers of hip-hop and rap music, who has worked with De La Soul, A Tribe Called Quest, and The GraveDigga's.

In January 1996, Vernon received a Grammy nomination for Best Rock Instrumental for his composition 'Every Now & Then,' which appeared on the Santana retrospective box-set 'Dance of the Rainbow Serpent' in 1995.

Official Site: Vernon-Reid.com

Lastest 2006 Release:
Other True Self


On Other True Self, Vernon Reid exposes a vivid personal landscape. Each track illuminates one or another side of Vernon Reid: his African lineage in "Prof. Bebey," the Latin flavor of the melodies he casts over Hank Schroy's bass pulse and Don McKenzie's crisp reggae rhythm bed in "Flatbush and Church Revisited," the exhilaration of his unison sprint with keyboardist Leon Gruenbaum on "Game is Rigged," the swirling Middle Eastern energies in "Mind of My Mind."

Other True Self, then, is a sonic kaleidoscope, a tumble of colors and a whirl of astonishing visions. Yet as far as Reid is concerned, it's just one step forward on a possibly endless - and endlessly rewarding - mission.

Tracks:
1. Game Is Rigged
2. National Anthem
3. Flatbush and Church Revisited
4. Afrerika
5. Enjoy The Silence
6. White Face
7. Oxossi
8. G
9. Wild Life
10. Overcoming
11. Kizzy
12. Mind Of My Mind
13. Prof. Bebey
» 4 star review by All Music
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Known Unknown

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Mistaken Identity

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Old Bio:
Vernon Reid was born in London, England August 22, 1958 but spent most of his childhood in Brooklyn, New York, where he grew up listening to an electric variety of pop music ranging from Dionne Warwick's hits to the Temptations "Psychedelic Shack". At the age 15, inspired by the example of Carlos Santana, Vernon's career as a guitarist began.
"He was a guitarist who brought his ethnic background to rock and roll," Vernon says of Santana, "He made music that was a distinct hybrid but was accepted as rock music."
Vernon, who attended Brooklyn Tech, had the opportunity to study guitar privately with jazz masters Rodney Jones and Ted Dunbar.

In the early 1980's while working with jazz drummer Ronald Shannon Jackson's Decoding Society, Vernon's reputation began to grow.
When Vernon was not busy mastering the harmolodic theories of Ornette Coleman as a guitarist of the Decoding Society, he spent his time gigging with a wide array of artists ranging from pop producer Kashif to the jazz- punk-dance band Defunkt.

Vernon's effects rack (1993)

Hollywood, CA 9/9/05 (photo by David J Dowling)

Gear:
Amps: Crate Blue Voodoo (visit Vernon's page at Crate)